Katharina Klement (*1963, Graz)

The composer works as a “composer-performer” in the field of composed and improvised, electronic and instrumental music. Her activities also include numerous cross-linking projects within the areas of music, text and video. She has always been particularly interested in the piano, especially the extended playing techniques. International collaboration with various ensembles and artists.
Since 2006 she has been a lecturer in the course for computer music and electronic media at the University of Music and Performing Arts. Art Vienna.

UND ALLES LICHT IN DIESEM TON (2017, 4-channel, 20min)
and all light in this sound
Over the course of the piece, textures are created from predominantly low-frequency and flat sound material that are constantly located between sound and noise – as if a beam of light were illuminating a sonic-sculptural mass. The title is taken from a text by Marlene Streeruwitz.

PERIPHERIES 2, 3, 5 (2017, 8-channel, 14min)
Excerpts from a sound portrait of the city of Belgrade
2 induction
3 njemo colo (mute dance)
5 escalator

TRAUM (1991, stereo, 3min)
dream
a short sketch with prepared piano