{"id":813,"date":"2022-05-16T21:10:18","date_gmt":"2022-05-16T21:10:18","guid":{"rendered":"https:\/\/templeofsound.at\/2022\/05\/16\/presque-rien\/"},"modified":"2022-11-30T12:44:20","modified_gmt":"2022-11-30T12:44:20","slug":"presque-rien","status":"publish","type":"post","link":"https:\/\/templeofsound.at\/en\/2022\/05\/16\/presque-rien\/","title":{"rendered":"PRESQUE RIEN"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Luc<\/strong> <strong>Ferrari<\/strong> (1929, Paris \u2013 2005, Arezzo)<br><br>Composer, sound artist and radio play producer. He is regarded as a representative of musique concr\u00e8te and is best known for his experiments with tape music.<br>In 1958 he founded the \u201cGroupe de Recherches Musicales\u201d (GRM) in Paris with Pierre Schaeffer and Fran\u00e7ois-Bernard M\u00e2che. However, diverging artistic views led to their separation in 1966. While Schaeffer demanded an abstract and typical sound work, Ferrari incorporated recognizable environmental noises into his music (musique anecdotique).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PRESQUE RIEN No. 1 (1967\u201370, stereo, 21min)<br>&#8220;Almost nothing&#8221;<br>The morning in a Dalmatian fishing village<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Luc Ferrari (1929, Paris \u2013 2005, Arezzo) Composer, sound artist and radio play producer. He is regarded as a representative of musique concr\u00e8te and is best known for his experiments with tape music.In 1958 he founded the \u201cGroupe de Recherches Musicales\u201d (GRM) in Paris with Pierre Schaeffer and Fran\u00e7ois-Bernard M\u00e2che. However, diverging artistic views led to their separation in 1966. While Schaeffer demanded an abstract and typical sound work, Ferrari incorporated recognizable environmental noises into his music (musique anecdotique). PRESQUE RIEN No. 1 (1967\u201370, stereo, 21min)&#8220;Almost nothing&#8221;The morning in a Dalmatian fishing village<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17,12],"tags":[],"class_list":["post-813","post","type-post","status-publish","format-standard","hentry","category-2022-en","category-event-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/comments?post=813"}],"version-history":[{"count":4,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/813\/revisions"}],"predecessor-version":[{"id":1593,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/813\/revisions\/1593"}],"wp:attachment":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/media?parent=813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/categories?post=813"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/tags?post=813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}