{"id":766,"date":"2022-05-16T21:28:27","date_gmt":"2022-05-16T21:28:27","guid":{"rendered":"https:\/\/templeofsound.at\/2022\/05\/16\/unterm-watschenbaum\/"},"modified":"2022-11-30T12:35:45","modified_gmt":"2022-11-30T12:35:45","slug":"unterm-watschenbaum","status":"publish","type":"post","link":"https:\/\/templeofsound.at\/en\/2022\/05\/16\/unterm-watschenbaum\/","title":{"rendered":"UNTERM WATSCHENBAUM"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>DIE RELATIVIT\u00c4TSTHERAPIE<\/strong><br>the relativity therapy<br><br>The composer G\u00fcnther Rabl and the singer and &#8216;electronic musician&#8217; Gilbert Handler have been running a long-term project for years, which they call &#8216;The Relativity Therapy&#8217;.<br>In it, musical areas and styles are confronted with each other that usually never meet.<br>Oriental music meets alpine folk music, Richard Wagner meets German hits, etc.<br>This results in bizarre cover versions, crossovers and bastards that are performed in rare concerts and radio shows.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">UNTERM WATSCHENBAUM (2018, stereo, 6min)<br>under the clout tree<br>One of the rare purely instrumental numbers in which a background choir by Jimi Hendrix meets a harpsichord piece by Josef Matthias Hauer &#8211; connected by arrangements of a New Year&#8217;s Eve fireworks display.<br><br>source: private materiel by the composers<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DIE RELATIVIT\u00c4TSTHERAPIEthe relativity therapy The composer G\u00fcnther Rabl and the singer and &#8216;electronic musician&#8217; Gilbert Handler have been running a long-term project for years, which they call &#8216;The Relativity Therapy&#8217;.In it, musical areas and styles are confronted with each other that usually never meet.Oriental music meets alpine folk music, Richard Wagner meets German hits, etc.This results in bizarre cover versions, crossovers and bastards that are performed in rare concerts and radio shows. UNTERM WATSCHENBAUM (2018, stereo, 6min)under the clout treeOne of the rare purely instrumental numbers in which a background choir by Jimi Hendrix meets a harpsichord piece by Josef\u2026<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17,11,12],"tags":[],"class_list":["post-766","post","type-post","status-publish","format-standard","hentry","category-2022-en","category-artist","category-event-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/766","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/comments?post=766"}],"version-history":[{"count":5,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/766\/revisions"}],"predecessor-version":[{"id":1563,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/766\/revisions\/1563"}],"wp:attachment":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/media?parent=766"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/categories?post=766"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/tags?post=766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}