{"id":740,"date":"2022-05-16T21:31:46","date_gmt":"2022-05-16T21:31:46","guid":{"rendered":"https:\/\/templeofsound.at\/2022\/05\/16\/concrete-ph\/"},"modified":"2022-11-30T12:33:49","modified_gmt":"2022-11-30T12:33:49","slug":"concrete-ph","status":"publish","type":"post","link":"https:\/\/templeofsound.at\/en\/2022\/05\/16\/concrete-ph\/","title":{"rendered":"CONCRETE PH"},"content":{"rendered":"\n<p><strong>Iannis<\/strong> <strong>Xenakis<\/strong> (1922, Br\u0103ila, Romania \u2013 2001, Paris)<br><br>is an architect and composer.<br>Xenaki&#8217;s music is strongly influenced by his interest in mathematical and acoustic principles. Starting in 1954, he developed his own musical style from random phenomena such as rain, a crowd or a swarm of bees: stochastic music. In addition, he tried to implement methods and knowledge of game theory, set theory and number theory in his compositions.<\/p>\n\n\n\n<p>CONCRETE PH (1958, 4-channel, 3min)<br>a tape composition for the Philips Pavilion at the 1958 World Exhibition in Brussels, as part of a total work of art made up of architecture, light, film and music by the architect Le Corbusier and the composer Edgar Var\u00e8se.<br>The sound material for this consists exclusively of the crackling of glowing charcoal.<\/p>\n\n\n\n<p>source: copy from GRM<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Iannis Xenakis (1922, Br\u0103ila, Romania \u2013 2001, Paris) is an architect and composer.Xenaki&#8217;s music is strongly influenced by his interest in mathematical and acoustic principles. Starting in 1954, he developed his own musical style from random phenomena such as rain, a crowd or a swarm of bees: stochastic music. In addition, he tried to implement methods and knowledge of game theory, set theory and number theory in his compositions. CONCRETE PH (1958, 4-channel, 3min)a tape composition for the Philips Pavilion at the 1958 World Exhibition in Brussels, as part of a total work of art made up of architecture, light,\u2026<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17,12],"tags":[],"class_list":["post-740","post","type-post","status-publish","format-standard","hentry","category-2022-en","category-event-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/740","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/comments?post=740"}],"version-history":[{"count":4,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/740\/revisions"}],"predecessor-version":[{"id":1555,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/740\/revisions\/1555"}],"wp:attachment":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/media?parent=740"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/categories?post=740"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/tags?post=740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}