{"id":736,"date":"2022-05-16T21:33:32","date_gmt":"2022-05-16T21:33:32","guid":{"rendered":"https:\/\/templeofsound.at\/2022\/05\/16\/k-n-o-t\/"},"modified":"2022-11-30T12:32:53","modified_gmt":"2022-11-30T12:32:53","slug":"k-n-o-t","status":"publish","type":"post","link":"https:\/\/templeofsound.at\/en\/2022\/05\/16\/k-n-o-t\/","title":{"rendered":"K.N.O.T."},"content":{"rendered":"\n<p><strong>Martin Gut <\/strong>(*1976, Hohenems, Vorarlberg)<br><br>lives in Krems\/Donau, he is a composer and guitarist. His main instrument, however, is the scheitholt &#8211; an electrically amplified monochord that allows him to play with higher overtone structures. In his compositions he combines traditional approaches with microtonal explorations.<\/p>\n\n\n\n<p>KNOT (2021, stereo, 12min)<br>&#8220;My soul is released from the home&#8221;<br>A minimalist juxtaposition of a tone on the instrument with a tone generated on a physical model with minimal spectral deviations.<\/p>\n\n\n\n<p>source: private material by the composer<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Martin Gut (*1976, Hohenems, Vorarlberg) lives in Krems\/Donau, he is a composer and guitarist. His main instrument, however, is the scheitholt &#8211; an electrically amplified monochord that allows him to play with higher overtone structures. In his compositions he combines traditional approaches with microtonal explorations. KNOT (2021, stereo, 12min)&#8220;My soul is released from the home&#8221;A minimalist juxtaposition of a tone on the instrument with a tone generated on a physical model with minimal spectral deviations. source: private material by the composer<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17,12],"tags":[],"class_list":["post-736","post","type-post","status-publish","format-standard","hentry","category-2022-en","category-event-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/736","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/comments?post=736"}],"version-history":[{"count":4,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/736\/revisions"}],"predecessor-version":[{"id":1551,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/736\/revisions\/1551"}],"wp:attachment":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/media?parent=736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/categories?post=736"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/tags?post=736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}