{"id":720,"date":"2022-05-16T21:35:20","date_gmt":"2022-05-16T21:35:20","guid":{"rendered":"https:\/\/templeofsound.at\/2022\/05\/16\/geiger-beats\/"},"modified":"2022-11-30T12:31:59","modified_gmt":"2022-11-30T12:31:59","slug":"geiger-beats","status":"publish","type":"post","link":"https:\/\/templeofsound.at\/en\/2022\/05\/16\/geiger-beats\/","title":{"rendered":"GEIGER BEATS"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Guy Fleming<\/strong> (*1964, Sydney)<br><br>is a trained geologist, astronomer, organist and last but not least a photographer. In his home country he is known as a photographer &#8211; above all for his work on the decay of a disused waste incineration plant <em>A Study in Decay<\/em>. In addition, he also dealt with the diverse acoustics of the ruins and created a highly acclaimed piece <em>Confined Entropy<\/em> from sound recordings.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">CONFINED ENTROPY (1989, stereo, 65 minutes)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">GEIGER BEATS (2016\/20, stereo, 22min)<br>The piece deals with the rhythms produced by a Geiger counter when measuring radioactive material.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">source: private material by the composer<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Guy Fleming (*1964, Sydney) is a trained geologist, astronomer, organist and last but not least a photographer. In his home country he is known as a photographer &#8211; above all for his work on the decay of a disused waste incineration plant A Study in Decay. In addition, he also dealt with the diverse acoustics of the ruins and created a highly acclaimed piece Confined Entropy from sound recordings. CONFINED ENTROPY (1989, stereo, 65 minutes) GEIGER BEATS (2016\/20, stereo, 22min)The piece deals with the rhythms produced by a Geiger counter when measuring radioactive material. source: private material by the composer<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17,12],"tags":[],"class_list":["post-720","post","type-post","status-publish","format-standard","hentry","category-2022-en","category-event-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/comments?post=720"}],"version-history":[{"count":6,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/720\/revisions"}],"predecessor-version":[{"id":1547,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/720\/revisions\/1547"}],"wp:attachment":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/media?parent=720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/categories?post=720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/tags?post=720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}