{"id":310,"date":"2022-05-16T21:40:09","date_gmt":"2022-05-16T21:40:09","guid":{"rendered":"https:\/\/templeofsound.at\/2022\/05\/16\/miku-expo\/"},"modified":"2023-05-10T23:27:09","modified_gmt":"2023-05-10T23:27:09","slug":"mue-der-wanderer","status":"publish","type":"post","link":"https:\/\/templeofsound.at\/en\/2022\/05\/16\/mue-der-wanderer\/","title":{"rendered":"M\u00dc DER WANDERER"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Dieter Feichtner<\/strong>&nbsp;(1943, Innsbruck \u2013 1999, Salzburg)<br><br>He learned to play piano, double bass and drums at the Salzburg Mozarteum. His real instrument however was the synthesizer, on which he developed great technical virtuosity and was ranked among the international greats on this instrument in the &#8220;Melody Maker&#8221;.<br>He is probably known to jazz lovers for his association with the John Surman Trio, which took him to concerts across Europe in the 1980s.<br>In the early 1980s he began a long-term project, &#8220;direct recordings&#8221;, in which he brought spontaneous, intuitively played music into a solid, repeatable form.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">M\u00dc DER WANDERER (1983, stereo, 4min)<br>&#8220;Mu the tired wanderer&#8221;<br>from the album Anthology vol. 1<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dieter Feichtner&nbsp;(1943, Innsbruck \u2013 1999, Salzburg) He learned to play piano, double bass and drums at the Salzburg Mozarteum. His real instrument however was the synthesizer, on which he developed great technical virtuosity and was ranked among the international greats on this instrument in the &#8220;Melody Maker&#8221;.He is probably known to jazz lovers for his association with the John Surman Trio, which took him to concerts across Europe in the 1980s.In the early 1980s he began a long-term project, &#8220;direct recordings&#8221;, in which he brought spontaneous, intuitively played music into a solid, repeatable form. M\u00dc DER WANDERER (1983, stereo, 4min)&#8220;Mu\u2026<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17,12],"tags":[],"class_list":["post-310","post","type-post","status-publish","format-standard","hentry","category-2022-en","category-event-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/comments?post=310"}],"version-history":[{"count":15,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/310\/revisions"}],"predecessor-version":[{"id":2983,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/310\/revisions\/2983"}],"wp:attachment":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/media?parent=310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/categories?post=310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/tags?post=310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}