{"id":2494,"date":"2023-04-26T20:34:15","date_gmt":"2023-04-26T20:34:15","guid":{"rendered":"https:\/\/templeofsound.at\/?p=2494"},"modified":"2023-05-10T23:13:32","modified_gmt":"2023-05-10T23:13:32","slug":"beton","status":"publish","type":"post","link":"https:\/\/templeofsound.at\/en\/2023\/04\/26\/beton\/","title":{"rendered":"BETON"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Katharina Klement<\/strong> (* 1963, Graz)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The composer works as a \u201ccomposer-performer\u201d in the field of composed and improvised, electronic and instrumental music. Her activities also include numerous cross-linking projects within the areas of music, text and video. She has always been particularly interested in the piano, especially the extended playing techniques. International collaboration with various ensembles and artists. Since 2006 she has been a lecturer in the course for computer music and electronic media at the University of Music and Performing Arts, Vienna.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>13 MINIATUREN <\/strong>(1996, stereo, 60 min)<br>for 8-channel tape and piano (stereo mix)<br>This composition consists of 13 acoustic chapters in which each block is set up piece by piece, some loosely tied together, and some narrate a continuing story. For this tape composition only recorded sounds in their original form are used. The piono, which is partially prepared for this piece, is only one voice in the makeup of the ensemble.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>BETON<\/strong> (2001, 10-channel, 44 min)<br>Sound transformation &#8211; especially with electronic means &#8211; is a work with a multidimensional phenomenon and comparable with sculptural work. Starting with the material\/building material concrete, whose condition changed from liquid to extremely solid in a short time, the idea arose to acoustically break up a solidified mass again. During several visits to construction sites where concrete parts were sawed or cut out, I collected acoustic building material: so-called &#8216;noise&#8217;, an unavoidable by-product of working with concrete. Penetrating into the layers of this noise, uncovering noise and sound layers, the process of sawing, opening and finally smashing the material are the starting point of the compositional work.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">source: private material from the composer<br>drawing based on a foto by Rania Moslam<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Katharina Klement (* 1963, Graz) The composer works as a \u201ccomposer-performer\u201d in the field of composed and improvised, electronic and instrumental music. Her activities also include numerous cross-linking projects within the areas of music, text and video. She has always been particularly interested in the piano, especially the extended playing techniques. International collaboration with various ensembles and artists. Since 2006 she has been a lecturer in the course for computer music and electronic media at the University of Music and Performing Arts, Vienna. 13 MINIATUREN (1996, stereo, 60 min)for 8-channel tape and piano (stereo mix)This composition consists of 13 acoustic\u2026<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18,12],"tags":[],"class_list":["post-2494","post","type-post","status-publish","format-standard","hentry","category-2023-en","category-event-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/2494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/comments?post=2494"}],"version-history":[{"count":8,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/2494\/revisions"}],"predecessor-version":[{"id":2954,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/posts\/2494\/revisions\/2954"}],"wp:attachment":[{"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/media?parent=2494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/categories?post=2494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/templeofsound.at\/en\/wp-json\/wp\/v2\/tags?post=2494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}